Volume 5, Issue 7

கல்லாடம் காட்டும் தலைவன் பிரிவு

Author

பிரியங்கா. தி., முனைவர் பட்ட ஆய்வாளர் | நெறியாளர்: முனைவர் ப. முருகன், இணைப் பேராசிரியர், தமிழ்த்துறை மற்றும் ஆய்வு மையம், அரசுக் கல்லூரி, சித்தூர், பாலக்காடு

Abstract

Abstract: In the history of Tamil literature, we can see the continuation of the Akapporul tradition as formalized by grammarian Tolkappiyar. Generally, Akapporul tradition is considered a way of emotionally expressing the nobility of human relationships. The growth of love in the minds of both men and women can be called Akapporul development. Akam is the state where both souls are united and happy. This pleasure is known to United souls. But invisible to outsiders. In such a blissful akam life, the hero has to separated from the heroine due to many reasons ranging from kalavu to karupu. Akam literatures are reveals the possible seperations between hero and heroine. Separation is painful for both. But since it is said in akam literature that the parting hero consoles the heroine and leaves, it seems that the woman regrets and the man leaves after making peace. seperation has been adopted by poets as an important theme in the subsequent development of Tamil poetry from agam to bhakti. In Bhakti literature, the influence of akapporul is greater and more emphatic than in other genres that emerged in Tamil. Therefore, the purpose of this article is to examine how kalladar has interpreted the seperations of the hero in Saiva literature kalladam.

DOI

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